{"id":3850,"date":"2024-11-02T17:41:33","date_gmt":"2024-11-02T17:41:33","guid":{"rendered":"https:\/\/www.turizmmuhabiri.com\/?p=3850"},"modified":"2024-11-02T17:41:35","modified_gmt":"2024-11-02T17:41:35","slug":"bale-ile-hindistana-yolculuk","status":"publish","type":"post","link":"https:\/\/www.turizmmuhabiri.com\/index.php\/2024\/11\/02\/bale-ile-hindistana-yolculuk\/","title":{"rendered":"Bale ile Hindistan\u2019a Yolculuk"},"content":{"rendered":"\n

\u0130stanbul Devlet Opera ve Balesi, en b\u00fcy\u00fck bale eserlerinden biri olan La Bayad\u00e8re\u2019i bale severlerle yeniden bulu\u015fturmaya haz\u0131rlan\u0131yor.<\/p>\n\n\n\n

Atat\u00fcrk K\u00fclt\u00fcr Merkezi T\u00fcrk Telekom Opera Salonu\u2019nun muhte\u015fem atmosferinde seyircisi ile bulu\u015facak. La Bayad\u00e8re balesinin konusu Hindistan\u2019da ge\u00e7iyor. \u00dclkenin a\u015fk ve entrika y\u00fckl\u00fc sihirli atmosferi, Marius Petipa\u2019n\u0131n e\u015fsiz koreografisi, Ludwig Minkus\u2019un m\u00fczi\u011finin melodik \u00e7ekicili\u011finin yan\u0131 s\u0131ra, g\u00f6steri\u015fli t\u00f6resellik ve etnik \u00f6geler i\u00e7eren sahneleri ve m\u00fckemmel danslar\u0131yla bale severlere \u00e7ok \u015fey vadediyor.<\/p>\n\n\n\n

\u0130lk kez St.Petersburg \u2013 Bol\u015foy Kamenny \u0130mparatorluk Tiyatrosu\u2019nda 4 \u015eubat\u00a01877 \u2018de sahnelendi.\u00a0Bestesi 1871-1886 y\u0131llar\u0131 aras\u0131nda bu tiyatroda, resm\u00ee bale m\u00fczi\u011fi bestecisi olarak g\u00f6rev yapan Ludwig Minkus’a ait olan eserde, yayl\u0131 \u00e7alg\u0131lar e\u015fli\u011findeki yumu\u015fak notalardan, vurmal\u0131 \u00e7alg\u0131lar e\u015fli\u011findeki sert notalara ge\u00e7i\u015f yapan m\u00fczik, iyi ve k\u00f6t\u00fc olaylar\u0131 \u00f6nceden haber verir nitelikte. Koreografideki her ad\u0131m, m\u00fczik ile muhte\u015fem bir uyum i\u00e7inde. Bat\u0131n\u0131n koreograf Petipa\u2019y\u0131 tan\u0131mas\u0131n\u0131 sa\u011flayan La Bayad\u00e8re,\u00a0\u00e7a\u011fda\u015f ele\u015ftirmenler taraf\u0131ndan en b\u00fcy\u00fck ba\u015fyap\u0131tlardan biri olarak de\u011ferlendiriliyor.\u00a0\u00d6zellikle \u00fc\u00e7\u00fcnc\u00fc perdedeki e\u015fsiz b\u00f6l\u00fcm \u2018\u2019G\u00f6lgelerin Krall\u0131\u011f\u0131\u2019\u2019 sadece La Bayad\u00e8re\u2019in de\u011fil, klasik balenin de koreografi anlam\u0131nda en akademik ve en zorlay\u0131c\u0131 sahnelerinden biri olarak nitelendiriliyor.<\/p>\n\n\n

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T\u00fcrkiye pr\u00f6miyeri 31 Mart 1997\u2019de Ankara Devlet Opera ve Balesi taraf\u0131ndan ger\u00e7ekle\u015ftirilen La Bayad\u00e8re\u2019i Ay\u015fem Sunal Sava\u015fkurt sahneye koyuyor. Bale severlerin Efter Tun\u00e7\u2019un dekorlar\u0131, G\u00fclden Say\u0131l\u2019\u0131n kost\u00fcmleri, \u00d6nder Ar\u0131k\u2019\u0131n \u0131\u015f\u0131klar\u0131 ile Hindistan\u2019\u0131n baharat kokulu mistik ve etnik atmosferini derinden hissedecekleri La Bayad\u00e8re, 7 Kas\u0131m Saat 20.00\u2019da ve 9 Kas\u0131m 16.00\u2019da AKM T\u00fcrk Telekom Opera Salonu\u2019nda.  <\/p>\n\n\n\n

Koreograf: M. Petipa, sahneye koyan ve d\u00fczenleyen: Ay\u015fem Sunal Sava\u015fkurt, orkestra \u015fefi: Zdravko Lazarov, dekor tasar\u0131m\u0131: Efter Tun\u00e7, kost\u00fcm tasar\u0131m\u0131: G\u00fclden Say\u0131l, \u0131\u015f\u0131k tasar\u0131m\u0131: \u00d6nder Ar\u0131k, Nikiya:<\/strong> B\u00fc\u015fra Ay, Berfu Elmas, Berin Kocaba\u015fo\u011flu, Solor:<\/strong> \u00c7a\u011fatay \u00d6zmen, Batur B\u00fckl\u00fc, Y\u0131lmaz Berkay G\u00fcnay, Gamzatti: <\/strong>Gizem A. Tuncay, Merve Topaldemir, Ay\u00e7a An\u0131l, Ami Naito, Alt\u0131n \u0130dol: <\/strong>Can Bezirgano\u011flu, Y\u0131lmaz Berkay G\u00fcnay, Arda Erkara, Y\u00fcce Brahman: <\/strong>M. K. Onur Tunay, Bahad\u0131r Ovac\u0131kl\u0131, Rajah: <\/strong>Alk\u0131\u015f Peker, Alper Akal\u0131n.<\/p>\n\n\n\n

Eseri konusu: Y\u00fcce Brahman, rahipler ve tap\u0131nak dans\u00e7\u0131lar\u0131 Hindistan\u2019da Kutsal Ate\u015f Ayini d\u00fczenlemekte. Tap\u0131nak dans\u00e7\u0131lar\u0131n\u0131n en g\u00fczeli olan Nikiya, ba\u015f tap\u0131nak dans\u00e7\u0131s\u0131 olarak onurland\u0131r\u0131lm\u0131\u015f. Y\u00fcce Brahman, Nikiya\u2019ya a\u015fk\u0131n\u0131 ilan eder, ancak Nikiya onu reddeder ve gece vakti asil sava\u015f\u00e7\u0131 Solor ile gizlice bulu\u015fur. Birlikte dans ederler ve Kutsal Ate\u015f \u00fczerine birbirlerine sonsuz a\u015fk s\u00f6z\u00fc verirler. K\u0131skan\u00e7 Y\u00fcce Brahman durumu anlay\u0131nca, Solor\u2019u \u00f6ld\u00fcrmeye ant i\u00e7er. Rajah, Solor\u2019un cesaretini \u00f6d\u00fcllendirmek ister ve k\u0131z\u0131 Gamzatti ile evlenmesine h\u00fckmeder. Gamzatti, Solor\u2019un portresini g\u00f6r\u00fcr g\u00f6rmez ona a\u015f\u0131k olur ve tan\u0131\u015ft\u0131klar\u0131nda Solor da onun g\u00fczelli\u011finden olduk\u00e7a etkilenir. Nikiya\u2019ya sonsuz a\u015fk yemini etmesine ra\u011fmen, Rajah\u2019n\u0131n iste\u011fine kar\u015f\u0131 gelemez ve Gamzatti ile evlenmeye karar verir. Y\u00fcce Brahman, Rajah\u2019n\u0131n Solor\u2019u ortadan kald\u0131raca\u011f\u0131n\u0131 umarak, ona \u00a0Nikiya ve Solor\u2019un aras\u0131ndaki gizli a\u015fktan bahseder. Oysa Rajah, Nikiya\u2019y\u0131 \u00f6ld\u00fcrmeye karar verir. Bu diyalo\u011fa kulak misafiri olan Gamzatti, Nikiya\u2019y\u0131 odas\u0131na \u00e7a\u011f\u0131rarak, Solor\u2019dan vazge\u00e7mesi i\u00e7in ona r\u00fc\u015fvet vermeyi dener. Gamzatti\u2019yi reddeden Nikiya, \u00e7\u0131lg\u0131na d\u00f6nerek onu \u00f6ld\u00fcrmeye kalk\u0131\u015f\u0131r. Ard\u0131ndan Nikiya ka\u00e7ar ve Gamzatti onu yok etmeye yemin eder.\u00a0Solor ve Gamzatti\u2019nin ni\u015fan\u0131nda Nikiya\u2019ya dans etmesi emredilir. Gamzatti ona hediye olarak bir sepet \u00e7i\u00e7ek g\u00f6nderir. Nikiya \u00e7i\u00e7eklerin Solor\u2019dan geldi\u011fini d\u00fc\u015f\u00fcn\u00fcr. Oysa \u00e7i\u00e7ek sepetinde zehirli bir y\u0131lan gizlidir. Y\u0131lan, Nikiya\u2019y\u0131 sokar; Nikiya ona sunulan panzehri almak istemez ve \u00f6l\u00fcr.\u00a0Solor odas\u0131nda yapayaln\u0131zd\u0131r. Nikiya\u2019n\u0131n \u00f6l\u00fcm\u00fcnden duydu\u011fu \u00fcz\u00fcnt\u00fcye tamamen teslim olmu\u015ftur. Ac\u0131s\u0131n\u0131 dindirmek i\u00e7in afyon \u00e7eker ve g\u00f6rd\u00fc\u011f\u00fc hal\u00fcsinasyonlar onu G\u00f6lgelerin Krall\u0131\u011f\u0131\u2019na s\u00fcr\u00fckler. Burada Nikiya\u2019n\u0131n g\u00f6r\u00fcnt\u00fcs\u00fc, a\u015fklar\u0131ndan kalan an\u0131lar g\u00f6zlerinin \u00f6n\u00fcnden gitmez ve Solor kendi ya\u015fam\u0131na son verir. B\u00f6ylelikle Nikiya ve Solor sonsuz a\u015fkta birle\u015firler.<\/p>\n","protected":false},"excerpt":{"rendered":"

\u0130stanbul Devlet Opera ve Balesi, en b\u00fcy\u00fck bale eserlerinden biri olan La Bayad\u00e8re\u2019i bale severlerle yeniden bulu\u015fturmaya haz\u0131rlan\u0131yor. Atat\u00fcrk K\u00fclt\u00fcr Merkezi T\u00fcrk Telekom Opera Salonu\u2019nun muhte\u015fem atmosferinde seyircisi ile bulu\u015facak. La Bayad\u00e8re balesinin konusu Hindistan\u2019da ge\u00e7iyor. \u00dclkenin a\u015fk ve entrika y\u00fckl\u00fc sihirli atmosferi, Marius Petipa\u2019n\u0131n e\u015fsiz koreografisi, Ludwig Minkus\u2019un m\u00fczi\u011finin melodik \u00e7ekicili\u011finin yan\u0131 s\u0131ra, g\u00f6steri\u015fli t\u00f6resellik […]<\/p>\n","protected":false},"author":1,"featured_media":3852,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[53],"tags":[261,1631,1494,1635],"class_list":{"0":"post-3850","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-kultur-sanat","8":"tag-ataturk-kultur-merkezi","9":"tag-bale","10":"tag-hindistan","11":"tag-la-bayadere"},"_links":{"self":[{"href":"https:\/\/www.turizmmuhabiri.com\/index.php\/wp-json\/wp\/v2\/posts\/3850","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.turizmmuhabiri.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.turizmmuhabiri.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.turizmmuhabiri.com\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.turizmmuhabiri.com\/index.php\/wp-json\/wp\/v2\/comments?post=3850"}],"version-history":[{"count":2,"href":"https:\/\/www.turizmmuhabiri.com\/index.php\/wp-json\/wp\/v2\/posts\/3850\/revisions"}],"predecessor-version":[{"id":3854,"href":"https:\/\/www.turizmmuhabiri.com\/index.php\/wp-json\/wp\/v2\/posts\/3850\/revisions\/3854"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.turizmmuhabiri.com\/index.php\/wp-json\/wp\/v2\/media\/3852"}],"wp:attachment":[{"href":"https:\/\/www.turizmmuhabiri.com\/index.php\/wp-json\/wp\/v2\/media?parent=3850"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.turizmmuhabiri.com\/index.php\/wp-json\/wp\/v2\/categories?post=3850"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.turizmmuhabiri.com\/index.php\/wp-json\/wp\/v2\/tags?post=3850"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}