![\"\"](\"https:\/\/www.turizmmuhabiri.com\/wp-content\/uploads\/2025\/01\/Uyanmak-Icin22.jpg\")
<\/figure>\n<\/div>\n\n\n21. Y\u00dcZYIL K\u0130TAPLI\u011eI:<\/strong> Uyanmak i\u00e7in \u00e7ok ge\u00e7 \u2013 Gelecek yoksa bizi ne bekliyor? <\/strong>Slavoj \u017di\u017eek. \u00c7eviren: Bar\u0131\u015f G\u00f6n\u00fcl\u015fen. K\u00fcresel k\u0131yamete be\u015f dakika kald\u0131\u011f\u0131n\u0131, bu y\u00fczden \u015fu an felaketin \u00f6n\u00fcne ge\u00e7mek i\u00e7in k\u00f6pr\u00fcden \u00f6nceki son \u00e7\u0131k\u0131\u015fta oldu\u011fumuzu hep duyuyoruz. Peki ya facian\u0131n zaten ya\u015fand\u0131\u011f\u0131n\u0131, kritik an\u0131 \u015fimdiden be\u015f dakika ge\u00e7mi\u015f oldu\u011fumuzu varsaymak, bu faciay\u0131 \u00f6nlemenin tek yoluysa? K\u00fcresel iklim krizi, ekolojik y\u0131k\u0131m, k\u0131tl\u0131klar ve salg\u0131n hastal\u0131klar gibi birbirini besleyen ve ancak k\u00fcresel bir i\u015fbirli\u011fiyle \u00e7\u00f6z\u00fclebilecek krizlerle kar\u015f\u0131 kar\u015f\u0131ya oldu\u011fumuz bir d\u00f6nemde, Rusya-Ukrayna sava\u015f\u0131 vesilesiyle \u201cmedeniyetler \u00e7at\u0131\u015fmas\u0131n\u0131n\u201d t\u00fcm \u015fiddetiyle geri d\u00f6nd\u00fc\u011f\u00fcne tan\u0131k oluyoruz. \u017di\u017eek,\u00a0Uyanmak \u0130\u00e7in \u00c7ok Ge\u00e7\u2019te mevcut jeopolitik durumdan yola \u00e7\u0131karak, gelece\u011fi de\u011fi\u015ftirmek i\u00e7in acil ihtiya\u00e7 duyulan \u00f6zg\u00fcrle\u015ftirici siyaset imk\u00e2nlar\u0131n\u0131 de\u011ferlendiriyor. S\u0131kl\u0131kla d\u00fc\u015f\u00fcn\u00fclenin aksine, felaketi ka\u00e7\u0131n\u0131lmaz bir \u015fey olarak kavraman\u0131n ve gelecekle birlikte ge\u00e7mi\u015fi de bu a\u00e7\u0131dan yeniden tahayy\u00fcl etmenin tek \u00e7are olabilece\u011fini savunuyor.<\/p>\n\n\n \u0130NCELEME ARA\u015eTIRMA: S\u00f6ylemenin vakti var \u2013 Bir yirminci y\u00fczy\u0131l bilgesi Refik Ahmet Sevengil <\/strong>Cemal \u00dcnl\u00fc. Gazeteci, radyocu, tiyatro ele\u015ftirmeni ve tarih\u00e7isi, roman, \u00f6yk\u00fc ve deneme yazar\u0131 Refik Ahmet Sevengil g\u00fczel yazan, g\u00fczel anlatan kimselerdendi. \u0130nsan\u0131n cismini, ruhunu, huyunu, sevdas\u0131n\u0131, \u00f6l\u00fcm\u00fcn\u00fc, do\u011fumunu anlatan bir yirminci y\u00fczy\u0131l bilgesiydi. Yazd\u0131klar\u0131yla, s\u00f6yledikleriyle d\u00fcnyalar kurdu. \u0130lgi alanlar\u0131, yapt\u0131klar\u0131, s\u00f6yledikleri, eserleri ve d\u00fcnya g\u00f6r\u00fc\u015f\u00fcyle Tanzimat\u2019tan beri devam eden s\u00fcreci yans\u0131tan g\u00fczel bir kayna\u015fma ortaya koydu. Cemal \u00dcnl\u00fc bu kitapta, k\u00fclt\u00fcr ve sanat ya\u015fam\u0131m\u0131za damgas\u0131n\u0131 vurmu\u015f bu de\u011ferli ayd\u0131n\u0131m\u0131z\u0131 eserleri, fikirleri, entelekt\u00fcel miras\u0131yla ele al\u0131rken bu bile\u015fimi de g\u00fcn\u00fcm\u00fcz okuruna aktar\u0131yor. Tiyatro tarihimizi ara\u015ft\u0131rmak isteyenlerin vazge\u00e7emedi\u011fi kaynak eserler yazm\u0131\u015f Sevengil\u2019in k\u00fct\u00fcphanesinden ve belgeli\u011finden de yararlanan Cemal \u00dcnl\u00fc, g\u00f6rsel a\u00e7\u0131dan da son derece zengin bir malzemeyi okurla bulu\u015fturuyor.<\/p>\n\n\n KILAVUZ: Co\u011frafya<\/strong> John A. Matthews \u2013 David T. Herbert \u00c7eviren: Nurettin Elh\u00fcseyni\u00a0Co\u011frafya, ba\u015flang\u0131c\u0131ndan bu yana bir bilim dal\u0131 olarak \u00e7ok yol katetti. \u00a0Ke\u015ffedilen \u201cuzak diyarlar\u201d\u0131n adland\u0131r\u0131l\u0131p haritaya d\u00f6k\u00fclmesiyle ba\u015flayan bu bilgi alan\u0131, g\u00fcn\u00fcm\u00fczde \u00e7a\u011fda\u015f ya\u015fam\u0131n ayr\u0131lmaz bir par\u00e7as\u0131na d\u00f6n\u00fc\u015ferek do\u011fa ile toplum aras\u0131nda, fen bilimleri ile be\u015feri bilimler aras\u0131nda bir k\u00f6pr\u00fc i\u015flevi g\u00f6r\u00fcr hale geldi. K\u0131lavuz Dizisi\u2019nin kitab\u0131\u00a0Co\u011frafya, co\u011frafyac\u0131lar\u0131n kulland\u0131\u011f\u0131 en ileri teknolojileri aktararak bu bilim dal\u0131n\u0131n bug\u00fcn kar\u015f\u0131 kar\u015f\u0131ya kald\u0131\u011f\u0131m\u0131z yak\u0131c\u0131 \u00e7evresel ve toplumsal meselelerin \u00e7\u00f6z\u00fcm\u00fcne nas\u0131l yard\u0131mc\u0131 olabilece\u011fine dikkat \u00e7ekiyor. Onun esas konusunu, belli ba\u015fl\u0131 kavram ve y\u00f6ntemlerini, g\u00fc\u00e7l\u00fc yanlar\u0131n\u0131 ve tart\u0131\u015fmal\u0131 y\u00f6nlerini meslekten olmayan okurun da takip edebilece\u011fi \u015fekilde a\u00e7\u0131klay\u0131p tart\u0131\u015fmakla kalm\u0131yor, co\u011frafyan\u0131n gelece\u011fine y\u00f6nelik bir manifesto da sunuyor.<\/p>\n\n\n \u00c7A\u011eDA\u015e D\u00dcNYA EDEB\u0130YATI: G\u00fcvenilir Ki\u015fi<\/strong>. Didier Van Cauwelaert \u00c7eviren: Or\u00e7un T\u00fcrkay. Yazd\u0131\u011f\u0131 k\u0131rk\u0131n \u00fczerinde kitap otuza yak\u0131n dile \u00e7evrilen, Fransa\u2019n\u0131n Gouncourt \u00d6d\u00fcl\u00fc sahibi yazarlar\u0131ndan Didier van Cauwelaert, bu roman\u0131nda hayatlar\u0131 birbirlerine g\u00fcvenerek de\u011fi\u015fen iki yabanc\u0131y\u0131 merkeze alarak umudu her ya\u015fta diri tutmaya dair y\u00fcrek \u0131s\u0131tan bir \u00f6yk\u00fcye imza at\u0131yor. S\u0131radan bir i\u015f g\u00fcn\u00fcnde gen\u00e7 Max, y\u00fckleme alan\u0131na park eden l\u00fcks bir arac\u0131 vincine tak\u0131p yediemine do\u011fru yola \u00e7\u0131kar. Fakat bu sefer \u00e7ekti\u011fi arac\u0131n i\u00e7inde, film kapl\u0131 pencereler ard\u0131nda kafas\u0131 kar\u0131\u015fm\u0131\u015f, ya\u015fl\u0131 bir han\u0131m\u0131n oldu\u011fundan habersizdir. \u00dcst\u00fcne \u00fcstl\u00fck deh\u015fetle fark edece\u011fi \u00fczere kar\u015f\u0131s\u0131ndaki, kurabiye paketlerindeki y\u00fcz\u00fcyle herkesin tan\u0131d\u0131\u011f\u0131, II. D\u00fcnya Sava\u015f\u0131 s\u0131ras\u0131nda Paris Direni\u015fi\u2019nin kahramanlar\u0131ndan Madeleine Larmor\u2019dan ba\u015fkas\u0131 de\u011fildir. Kendine geldi\u011finde ya\u015fl\u0131 kad\u0131n, Max\u2019i y\u0131llar \u00f6nce sava\u015f s\u0131ras\u0131nda Nazilere esir d\u00fc\u015fen sevgilisi ile kar\u0131\u015ft\u0131racak, ikili \u00e7ok ge\u00e7meden hayatlar\u0131nda yepyeni bir sayfa a\u00e7acak bir maceraya s\u00fcr\u00fcklenecektir.\u00a0<\/p>\n\n\n B\u0130YOGRAF\u0130: Jane Austen<\/strong> Claire Tomalin.\u00a0\u00c7eviren: Mine Zeybeko\u011fullar\u0131.\u00a0\u00dcnl\u00fc \u0130ngiliz yazar Jane Austen (1775-1817), babas\u0131n\u0131n papazl\u0131k g\u00f6revi nedeniyle bulundu\u011fu bir \u0130ngiliz ta\u015fra kasabas\u0131nda, m\u00fctevaz\u0131 ve kalabal\u0131k bir evde b\u00fcy\u00fcd\u00fc. Babas\u0131yla annesinin kitaplara, \u015fiire ve edebiyata d\u00fc\u015fk\u00fcnl\u00fc\u011f\u00fc, ailenin hemen t\u00fcm bireylerine etki edecek, kom\u015fu ve akrabalar\u0131 toplay\u0131p kendi yazd\u0131klar\u0131 k\u00fc\u00e7\u00fck tiyatro temsillerini sunanlar, hep Austen karde\u015fler aras\u0131ndan \u00e7\u0131kacakt\u0131. Ancak ailenin as\u0131l yazar\u0131n\u0131n temsiller kaleme alan, \u015fiirler yazan, \u00fcniversitede okuyan a\u011fabeyleri de\u011fil, k\u00fc\u00e7\u00fck karde\u015f Jane oldu\u011fu gen\u00e7lik y\u0131llar\u0131nda anla\u015f\u0131lacakt\u0131. Jane Austen, kendi evini, kasabas\u0131n\u0131, evlilikler yoluyla bir ucu toplumun \u00fcst kesimlerine kadar uzanan kalabal\u0131k akrabalar\u0131n\u0131, kom\u015fular\u0131n\u0131, arkada\u015flar\u0131n\u0131, yani \u00f6mr\u00fcn\u00fc ge\u00e7irdi\u011fi \u00e7evreyi, \u00f6zellikle de o \u00e7evrenin kad\u0131nlar\u0131n\u0131 ve onlar\u0131n bak\u0131\u015f a\u00e7\u0131s\u0131n\u0131 romanlar\u0131na yans\u0131tarak i\u00e7inde bulundu\u011fu dar d\u00fcnyan\u0131n s\u0131n\u0131rlar\u0131n\u0131 a\u015ft\u0131. \u00c7ok gen\u00e7 ya\u015f\u0131nda \u00f6ld\u00fc ama arkas\u0131nda\u00a0Ak\u0131l ve Tutku,\u00a0Gurur ve \u00d6nyarg\u0131,\u00a0Mansfield Park,\u00a0Emma\u00a0gibi d\u00fcnyan\u0131n en \u00e7ok okunan kitaplar\u0131 aras\u0131nda yer alan ve kendisine b\u00fcy\u00fck \u015f\u00f6hret kazand\u0131ran romantik edebiyat \u015faheserleri b\u0131rakt\u0131. Austen\u2019\u0131n bu biyografisini, ba\u015fta 18. ve 19. y\u00fczy\u0131l \u0130ngiliz kad\u0131n yazarlar olmak \u00fczere kaleme ald\u0131\u011f\u0131 edebiyat\u00e7\u0131 biyografileriyle edebiyat d\u00fcnyas\u0131nda hakl\u0131 bir \u015f\u00f6hret edinen ve \u00e7e\u015fitli \u00f6d\u00fcller kazan Claire Tomalin edebi bir lezzetle kaleme ald\u0131.<\/p>\n\n\n Jean Jacques Rousseau <\/strong>Leo Damrosch. \u00c7eviren: Sabiha \u00d6zge Altunda\u011f\u00a0 Saat ustas\u0131 maceraperest bir baban\u0131n o\u011flu olarak d\u00fcnyaya gelen Jean-Jacques Rousseau (1712-1778), 18. y\u00fczy\u0131l Avrupas\u0131\u2019nda emek\u00e7i s\u0131n\u0131fa mensup yoksul bir \u00e7ocu\u011fun, toplumun s\u0131n\u0131rlar\u0131n\u0131 zorlayan \u00f6zg\u00fcn bir d\u00fc\u015f\u00fcn\u00fcre d\u00f6n\u00fc\u015fmesinin simgesidir. K\u00fc\u00e7\u00fck ya\u015flardan itibaren yarat\u0131c\u0131 ruhunun etkisiyle toplum ve d\u00fczenle uyum sa\u011flayamam\u0131\u015f, d\u00fczenli e\u011fitim almam\u0131\u015f ve \u00e7ok s\u0131n\u0131rl\u0131 s\u00fcreler d\u0131\u015f\u0131nda d\u00fczenli bir i\u015fte \u00e7al\u0131\u015fmam\u0131\u015ft\u0131r. Okudu\u011fu kitaplardan ve gezgin hayat\u0131 s\u0131ras\u0131nda toplumun her kesiminden tan\u0131d\u0131\u011f\u0131 insanlarla ya\u015fad\u0131\u011f\u0131 tecr\u00fcbelerden edindi\u011fi birikimle kendi kendini e\u011fitmeyi ba\u015fararak f\u0131rt\u0131nal\u0131 ruhuna huzur sunmak i\u00e7in otuzlu ya\u015flar\u0131nda yazmaya y\u00f6nelmi\u015ftir. Mevcut k\u00fclt\u00fcr\u00fcn ald\u0131\u011f\u0131 yolu tart\u0131\u015fan ve ele\u015ftiren, \u00f6\u011fretisini insan\u0131n do\u011fal \u00f6z\u00fcne uygun ve bu \u00f6z\u00fc bozmayacak, tam tersi geli\u015ftirecek sa\u011fl\u0131kl\u0131 ve adil bir yeni k\u00fclt\u00fcr anlay\u0131\u015f\u0131 \u00fczerine kuran Rousseau, \u00f6zellikle\u00a0Toplum S\u00f6zle\u015fmesiile \u00f6zg\u00fcrl\u00fck, e\u015fitlik, karde\u015flik aray\u0131\u015f\u0131n\u0131n \u0131\u015f\u0131\u011f\u0131 ve Frans\u0131z Devrimi\u2019nin esin kayna\u011f\u0131 olmu\u015ftur. G\u00fcc\u00fcn\u00fc do\u011fadan alan yarat\u0131c\u0131 d\u00fc\u015f\u00fcnceleriyle 19. y\u00fczy\u0131l felsefesine, \u00f6zellikle de romantizm ak\u0131m\u0131na ilham vermi\u015ftir. Devrimci bir yakla\u015f\u0131mla \u00e7ocuk e\u011fitimi \u00fczerine yazd\u0131\u011f\u0131\u00a0Emile, \u00e7ocukluk \u00e7a\u011flar\u0131n\u0131n insan olu\u015fumundaki \u00f6nemini belirledi\u011fi ve \u00fcst s\u0131n\u0131ftan bir kad\u0131n\u0131n s\u00f6zleriyle, \u201cannelere, bebeklerini emzirmeyi \u00f6\u011fretti\u011fi\u201d i\u00e7in, b\u00fcy\u00fck etki sahibidir. Otobiyografi tarz\u0131n\u0131n atas\u0131 say\u0131lan\u00a0\u0130tiraflar\u00a0ise benli\u011fin karanl\u0131k y\u00f6nlerini ara\u015ft\u0131rmas\u0131 a\u00e7\u0131s\u0131ndan psikanalize giden yolun ana ta\u015flar\u0131ndan say\u0131l\u0131r.<\/p>\n\n\n MODERN KLAS\u0130KLER D\u0130Z\u0130S\u0130: Havana\u2019daki Adam\u0131m\u0131z <\/strong>Graham Greene\u00a0\u00c7eviren: Nilg\u00fcn Miler Graham Greene\u2019in\u00a0Havana\u2019daki Adam\u0131m\u0131z\u00a0roman\u0131, Fidel Castro ve beraberindeki gerillalar\u0131n 1 Ocak 1959\u2019daki Havana ku\u015fatmas\u0131ndan ve \u015fehri d\u00fc\u015f\u00fcrmelerinden bir y\u0131l \u00f6nce, 6 Ekim 1958\u2019de yay\u0131mlan\u0131r. Devrim \u00f6ncesi K\u00fcba toplumundaki siyasal \u00e7alkant\u0131lar roman\u0131n hem i\u00e7eri\u011fine hem de bi\u00e7imine yans\u0131r. Roman, hayali ajanlar\u0131, olmayan n\u00fckleer tesisleri, b\u00fcy\u00fckel\u00e7ileri, kiral\u0131k katilleri, \u00e7apraz sorgular\u0131, \u015fifreli mesajlar\u0131, kom\u00fcnistleri, siyasi gecekondular\u0131, hisli fahi\u015feleri, bar m\u00fcdavimleri ve kalantor t\u00fcccarlar\u0131yla ger\u00e7ek anlamda bir komedi \u015f\u00f6lenidir. Greene\u2019in zarif estetik bak\u0131\u015f\u0131nda t\u00fcrl\u00fc g\u00fczellikleri ve sefaletiyle Havana bir u\u00e7tan di\u011ferine ate\u015f alm\u0131\u015f gibidir. Bu alt\u00fcst olu\u015fun k\u0131y\u0131s\u0131nda k\u00f6\u015fesinde yer alan, uzun zamand\u0131r Havana\u2019da ikamet eden Wormold adl\u0131 bir \u0130ngiliz t\u00fcccar birdenbire kendini \u0130ngiliz istihbarat te\u015fkilat\u0131n\u0131n i\u00e7inde bulur; toplumsal ve siyasal \u00e7\u00f6z\u00fcl\u00fc\u015flerin trajedisine istihbarat \u015febekelerinin komedisi eklenir.<\/p>\n\n\n HASAN AL\u0130 Y\u00dcCEL KLAS\u0130KLER D\u0130Z\u0130S\u0130 <\/strong>K\u0131z\u0131l K\u00f6\u015fk\u00fcn R\u00fcyas\u0131-\u0131- (ta\u015f\u0131n hikayesi) Cao Xueqin \u2013 Gao E \u00c7eviren: Giray Fidan. Qing Hanedan\u0131 d\u00f6neminin soylu ailelerinden birine mensup yazar, \u015fair ve ressam Cao Xueqin (1715?-1763), \u00c7in edebiyat\u0131n\u0131n en \u00fcnl\u00fc d\u00f6rt klasi\u011finden biri olan\u00a0K\u0131z\u0131l K\u00f6\u015fk\u00fcn R\u00fcyas\u0131\u2019n\u0131, Pekin sokaklar\u0131nda yapt\u0131\u011f\u0131 resimleri sat\u0131p ge\u00e7inmeye \u00e7al\u0131\u015f\u0131rken yazm\u0131\u015f. Kitab\u0131n elyazmas\u0131 kopyalar\u0131 Pekin\u2019de elden ele dola\u015fm\u0131\u015f, soylu ailelerin salonlar\u0131nda oldu\u011fu kadar halk aras\u0131nda da b\u00fcy\u00fck be\u011feni kazanm\u0131\u015f. \u0130lk bask\u0131s\u0131ysa ancak yazar\u0131n\u0131n \u00f6l\u00fcm\u00fcnden 30 y\u0131l sonra yap\u0131labilmi\u015f. Karakterlerin, giysilerin, yap\u0131lar\u0131n, \u00e7evrenin, hatta do\u011fa\u00fcst\u00fc olaylar\u0131n neredeyse en ince ayr\u0131nt\u0131s\u0131na kadar tasviriyle \u00f6zellikle dikkat \u00e7eken eser, Jia ailesinin iki kolunun ya\u015fad\u0131\u011f\u0131, kom\u015fu iki malik\u00e2nede ge\u00e7er. Yazar vaktiyle bir par\u00e7as\u0131 oldu\u011fu soylu ailelerin ya\u015fant\u0131s\u0131n\u0131 anlat\u0131rken, daha merhametli denebilecek Daoizm ile Budizm\u2019i, egemen inan\u0131\u015f ve ideoloji Ruizm\u2019in kar\u015f\u0131s\u0131na koymay\u0131 da ihmal etmez. Qing Hanedan\u0131 d\u00f6neminin en se\u00e7kin yazar ve ayd\u0131nlar\u0131ndan Gao E (1738-1815), 1801\u2019de \u00fclkenin en prestijli bilimsel kurumu olan Hanlin Akademisi’ne \u00fcye se\u00e7ildi. As\u0131l \u015f\u00f6hretini 18. y\u00fczy\u0131l\u0131n en \u00f6nemli \u00c7in klasiklerinden biri olan\u00a0K\u0131z\u0131l K\u00f6\u015fk\u00fcn R\u00fcyas\u0131\u2019n\u0131n son k\u0131rk b\u00f6l\u00fcm\u00fcn\u00fcn ke\u015ffi ve yay\u0131mlanmas\u0131yla kazanm\u0131\u015ft\u0131r. Hasan \u00c2li Y\u00fccel Klasikler Dizisi\u2019nde d\u00f6rt cilt halinde yay\u0131mlanacak olan\u00a0K\u0131z\u0131l K\u00f6\u015fk\u00fcn R\u00fcyas\u0131 -I- (Ta\u015f\u0131n Hik\u00e2yesi),<\/em>\u00a0\u00f6zg\u00fcn dili \u00c7inceden \u00e7evirisiyle ilk kez dilimize kazand\u0131r\u0131lm\u0131\u015f oluyor.<\/p>\n\n\n <\/p>\n\n\n\n FAUST -B\u0130R TRAGEDYA<\/strong>– Johann Wolfgang von Goethe.\u00a0\u00c7eviren: Zehra Aksu Y\u0131lmazer\u00a0Alman edebiyat\u0131n\u0131n d\u00fcnyaca \u00fcnl\u00fc, en \u00f6nemli yazarlar\u0131ndan Goethe (1749-1832) hukuk e\u011fitimi alm\u0131\u015f, resim sanat\u0131na ilgi duymu\u015f, do\u011fa bilimleriyle u\u011fra\u015fm\u0131\u015f, ara\u015ft\u0131rmalar yapm\u0131\u015f, yaz\u0131lar yazm\u0131\u015ft\u0131r. \u0130lk roman\u0131\u00a0Gen\u00e7 Werther\u2019in Ac\u0131lar\u0131\u00a0ile birlikte Goethe\u2019nin belki de d\u00fcnya edebiyat\u0131na en b\u00fcy\u00fck arma\u011fan\u0131 olan\u00a0Faust<\/em>, yazar\u0131n y\u00fczy\u0131llard\u0131r s\u00fcren edebi \u00fcn\u00fcn\u00fc peki\u015ftirmi\u015ftir. Goethe\u00a0Faust<\/em>\u2019un yaz\u0131m\u0131 i\u00e7in altm\u0131\u015f y\u0131la yak\u0131n \u00e7al\u0131\u015ft\u0131. Alman halk efsanelerinde ruhunu \u015feytana satan Faust, Goethe\u2019nin kalemiyle \u201cg\u00f6ky\u00fcz\u00fcnden en g\u00fczel y\u0131ld\u0131zlar\u0131, yery\u00fcz\u00fcnden ise en b\u00fcy\u00fck hazlar\u0131 arzulayan\u201d ve bu u\u011furda \u015feytanla anla\u015fmaktan \u00e7ekinmeyen, ne elindekilerle ne de hayalleriyle tatmin olan, cesur bir insana d\u00f6n\u00fc\u015ft\u00fc. Goethe\u2019nin miras\u0131n\u0131n en de\u011ferli hazinesi\u00a0Faust, Almanca asl\u0131ndan yepyeni bir \u00e7eviriyle Hasan \u00c2li Y\u00fccel Klasikler Dizisi\u2019nde yerini al\u0131yor.<\/p>\n\n\n MODERN T\u00dcRK EDEB\u0130YATI KLAS\u0130KLER\u0130. <\/strong>C\u00fcce Leyl\u00e2 Erbil Zen\u00eeme\u2019ydi ad\u0131. Zaman zaman kederli, derin yeislere kap\u0131lm\u0131\u015f bulurdum onu, zaman zaman ne\u015feyle ta\u015fm\u0131\u015f k\u0131r\u0131p ge\u00e7irirdi g\u00fclmekten insan\u0131. G\u00fczelli\u011fi silinmemi\u015fti b\u00fcsb\u00fct\u00fcn. Lokma g\u00f6zl\u00fc, uzun boylu, incecik, d\u00fczg\u00fcn v\u00fccutluydu; kad\u0131ns\u0131 \u00e7izgileri yerindeydi h\u00e2l\u00e2. Tuhaf kost\u00fcmlerle dola\u015f\u0131rd\u0131 evin i\u00e7inde. Hayat\u0131n\u0131n herkese kapad\u0131\u011f\u0131 bir noktas\u0131 bir gizi, ger\u00e7ek bir ac\u0131s\u0131 olmal\u0131yd\u0131 bence, ama yine de dolu dolu ya\u015fam\u0131\u015f, d\u00fcnyan\u0131n her bir yerinde sevgilileri olmu\u015f; g\u00f6z\u00fc arkada kalmam\u0131\u015f, g\u00fc\u00e7l\u00fc bir kad\u0131na benziyordu. Zen\u00eeme Han\u0131m\u2019\u0131n oturma odas\u0131 ya da salonu sanki orta yerde ulu bir \u00e7\u0131nar varm\u0131\u015f da onun t\u00fcm yapraklar\u0131 sonbahar\u0131n geli\u015fiyle kuruyup d\u00f6k\u00fclm\u00fc\u015f gibi yerlere serilmi\u015f yaz\u0131l\u0131 yapraklarla doluydu. K\u00e2\u011f\u0131tlar da kim bilir ne uzun s\u00fcre orada \u00f6ylece kalm\u0131\u015fsa onlar da sararm\u0131\u015f solmu\u015ftular. Bir g\u00fcn \u201cAl g\u00f6t\u00fcr onlar\u0131 art\u0131k g\u00f6z\u00fcm g\u00f6rmesin!\u201d dedi, ikramda bulunurcas\u0131na bana! Zen\u00eeme Han\u0131m, ad falan koymam\u0131\u015ft\u0131 kitab\u0131na. C\u00fcce ad\u0131n\u0131 ben koydum. <\/p>\n","protected":false},"excerpt":{"rendered":" T\u00fcrkiye \u0130\u015f Bankas\u0131 K\u00fclt\u00fcr Yay\u0131nlar\u0131 yeni y\u0131l\u0131n ilk ay\u0131nda 21. Y\u00fczy\u0131l Kitapl\u0131\u011f\u0131, K\u0131lavuz, Biyografi, \u00c7a\u011fda\u015f D\u00fcnya Edebiyat\u0131, Modern Klasikler Dizisi, \u0130nceleme-Ara\u015ft\u0131rma, Hasan \u00c2li Y\u00fccel Klasikleri Dizisi ve Modern T\u00fcrk Edebiyat\u0131 Klasikleri dizilerinden yepyeni kitaplar\u0131 okuyucular\u0131yla bulu\u015fturdu.\u00a0 21. Y\u00dcZYIL K\u0130TAPLI\u011eI: Uyanmak i\u00e7in \u00e7ok ge\u00e7 \u2013 Gelecek yoksa bizi ne bekliyor? Slavoj \u017di\u017eek. \u00c7eviren: Bar\u0131\u015f G\u00f6n\u00fcl\u015fen. K\u00fcresel […]<\/p>\n","protected":false},"author":1,"featured_media":4824,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[53],"tags":[2095,1564,2096,2094],"class_list":{"0":"post-4822","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-kultur-sanat","8":"tag-dunya-edebiyati","9":"tag-is-bankasi","10":"tag-klasikler","11":"tag-kultur-yayinlari"},"_links":{"self":[{"href":"https:\/\/www.turizmmuhabiri.com\/index.php\/wp-json\/wp\/v2\/posts\/4822","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.turizmmuhabiri.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.turizmmuhabiri.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.turizmmuhabiri.com\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.turizmmuhabiri.com\/index.php\/wp-json\/wp\/v2\/comments?post=4822"}],"version-history":[{"count":3,"href":"https:\/\/www.turizmmuhabiri.com\/index.php\/wp-json\/wp\/v2\/posts\/4822\/revisions"}],"predecessor-version":[{"id":4836,"href":"https:\/\/www.turizmmuhabiri.com\/index.php\/wp-json\/wp\/v2\/posts\/4822\/revisions\/4836"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.turizmmuhabiri.com\/index.php\/wp-json\/wp\/v2\/media\/4824"}],"wp:attachment":[{"href":"https:\/\/www.turizmmuhabiri.com\/index.php\/wp-json\/wp\/v2\/media?parent=4822"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.turizmmuhabiri.com\/index.php\/wp-json\/wp\/v2\/categories?post=4822"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.turizmmuhabiri.com\/index.php\/wp-json\/wp\/v2\/tags?post=4822"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}![\"\"](\"https:\/\/www.turizmmuhabiri.com\/wp-content\/uploads\/2025\/01\/Soylemenin-Vakti-Var2.jpg\")
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